Showing posts with label Ron Earl Phillips. Show all posts
Showing posts with label Ron Earl Phillips. Show all posts

Sunday, October 5, 2014

The Good, The Bad And The Books

You’ll have to excuse the tumbleweeds blowing around this place of late. It’s been a crazy few weeks here in the Leek household. In between running around the country with the day job, Georgie and I celebrated our 18th wedding anniversary.  I ain’t nobody’s bargain and putting up with me for that length of time is no mean achievement on her part. The following weekend our Katie turned 21. Both of these events resulted in me getting slightly drunk and a little sentimental, but I figure I was probably entitled. We also had a real scare when my niece, Marina had to undergo emergency surgery. Thankfully she is fine now and recovering well.

While all of this was going on in the real world I have been burning the midnight oil in an attempt not to blow a DEMONIC VISIONS deadline and trying to keep on top of all the other stuff that goes along with having three books drop in the space of a week.
THE BIG ADIOS western digest, which I edit with head honcho, Ron Phillips and deputy dawg, Ryan Sayles made the leap from webzine to quarterly print and e-book. The debut issue features killer stories from the likes of Tom Pitts, Jim Wilsky, Aidan Thorn and ZP’s own Gareth Spark.
Hot on the heels of TBA was another debut, this time in the form of Craig McNeely’s DARK CORNERS. Weighing in at nearly 300 pages this pulp spectacular has reviews, interviews and some really great fiction. I have a western in this inaugural issue, which lines up alongside crime, noir and sci-fi in a glorious smorgasbord of pulp and genre fiction. ZP are well represented here too with both Chuck Regan and Ryan Sayles in the mix. Craig and his team have produced a hell of a magazine. Seriously, you should buy it.
 

Finally, this week saw the much anticipated (at least by me) release of my western novella GOSPEL OF THE BULLET. I can’t tell you how much that means to me, but I can tell you how grateful I am to Ron Phillips and ONE EYE PRESS for publishing it. A big shout also has to go out to my uber-talented ZP brother, Chuck Regan for creating the gorgeous cover. The initial reaction to GOSPEL has been universally positive and also little overwhelming.  If you have dropped your dime on it already then thank you, I hope you dig it.
The next few weeks should see a return to calmer waters, as another Chris once said, it’s been emotional.  
 



Monday, October 14, 2013

Five Broken Winchesters

Get it here!
It seems only fitting that I should be a whole week late in blogging about the release of Zelmer Pulp’s new Western collection. FIVE BROKEN WINCHESTERS has been subject to a metric ton of delays, at one time I actually thought we might never get there. But thanks largely to the efforts of Brian Panowich, Chuck Regan and stand up dude, Lincoln Crisler we now have a book—a damn good one too—featuring seven tales of the Weird and indeed the Wild West, written by the Zelmer Pulp team and special guests Ron Earl Phillips and Heath Lowrance.

Most of you will know Ron Earl Phillips as the head honcho of Shotgun Honey and The Big Adios. Ron has published all of the Zelmer crew at one time or another and we are delighted to have his traditional western story, ‘The Last Shot’ in the collection.
Heath Lowrance is another guy who needs no introduction, which is a little ironic seeing as he wrote the one for FIVE BROKEN WINCHESTERS. Heath also contributed a fantastic flash story featuring his hard-eyed righter of wrongs and legend of the Weird West, Hawthorne.
 
This edition also features killer tales from the Zelmer Pulp entertainment collective: Isaac Kirkman, Ryan Sayles, Brian ‘Yeti Chop’ Panowich and Chuck Regan, who also painted the cover and once again humbled us with both his artistic and his sexual...err, I mean literary prowess.
My humble contribution, ‘The Guns of Justice’ sees the debut of my scarred bounty hunting heroine, Justice McCann. Here’s a little taster to hopefully whet you appetite and loosen you wallet.

The Jailhouse door banged open, bringing down dust from the rafters and toppling the stack of papers on Wade Pollock’s desk.
“Goddammit!”  Wade said, shading his eyes against the bright spring sunshine that invaded his office.

A man stood in the doorway, he was nearly as wide as he was tall and looked about ready to chew up iron and shit out nails. Wade knew him right off; his picture was pinned up across from his desk. The wanted poster showed a buzzard-eyed killer with a huge beard. It was a good likeness. But Cory Johnson could only truly be appreciated by seeing him in the flesh. Wade twisted in his seat, reaching for the gun belt that hung on the back of his chair.

 “Where’s the sheriff?”
The female voice stopped Wade cold, his gun half clear of its holster. There was a dull smack as wood met meat and Johnson collapsed to his knees with a grunt. Behind him stood a girl—or at least something close to a girl—holding an old Baker side-by-side, stock first.

“You’re lookin’ at him,” Wade said continuing to pull his piece in spite of the fact that he could now see Johnson’s hands were tightly bound, or maybe because of it. 

The girl leaned and spat tobacco juice into the coffee can by the door. It gave Wade a good look at her face and the terrible scars she carried there.
“What happened to Miller?” she asked.

“Been dead about a month, I’m running things around here now. Wade Pollock’s the name.”

“In that case, this here belongs to you,” she said flatting Johnson completely with a well-aimed kick to his kidneys.

Wade looked from the gasping Cory Johnson to the girl and then to the crowd that had gathered in the street outside. “You best come in then, and close the door, that is unless you want the whole damn town knowing our business.”
***
 
FIVE BROKEN WINCHESTERS is available right now for your high-fluting Kindle machine and we are currently engaged in large scale deforestation to bring you a dead tree version by the end of the week. So have and it, or as we say here at Zelmer Pulp, Hammer Down!